TECHNOLOGOS CINEMA HISTORY ACTUALITY AS TEXTURES TECHNOLOGY : GODARD, TARKOVSKY, PASOLINI, WARHOL, RIEFENSTAHL
HISTORY OF CINEMA BY GODARD WITH HIS IDIOCINCRATIC STYLE http://www.xmail.net/technologos/AGOD.html PERSONIFIES ANTIESTABLISMENT MANIFESTO OF CINEMATIC EXPERIMENTATION WITH HISTORY AND ACTUALITY AS UNIVERSAL LINGUA FRANCA . Histoire(s) du cinéma, produced between 1988 and 1998, is not canonized. It is a footnote in public discourse The Histoire(s) are always everything at once: moving image, photography, catalogue of paintings, pixel mutation, music, noise, fragment of film sound, speaking voice, writing in the image, literature quarry, essay text as they were never intended to be “a totality” and never “only” an artwork. Godard’s method in the Histoire(s) du cinéma is “affinities” to meta-literature by Proust or Joyce
AS WAS ABSTRACT CINEMA ART CREATOR DUCHAMP http://www.xmail.net/technologos/Aduchamp.html ALONG WITH BUNUEL SURREALIST CINEMA http://www.xmail.net/technologos/Bunuel.html SO WAS ANDY WARHOL ANTICINEMA UNDERGROUND CULTURE WITH CHELSEA GIRLS AND SCREENTESTS CINEMATIC EXPERIMENTS OF REALITY http://www.xmail.net/technologos/Andy.html
POETICAL CINEMA AS IMAGE OF RUSSIA CULTURE INHERITAGE AS IN EPOCH POET ANNA AKHMATOVA AND MANDELSHTAM FATE http://www.xmail.net/technologos/Akhmatova.html TRAGIC CINEMA FATE BY ANDREY TARKOVSKY http://www.xmail.net/technologos/Amirror.html SO GREAT MUSICIANA AS ROSTROPOVICH AND SHOSTAKOVICH http://www.xmail.net/technologos/Ash.html as TRUE RUSSIA GOD’S FOOLS AS ANDREY SAKHAROV WHOSE 86th ANNIVERSARY IS ALMOST FORGOTTEN IN PUTIN RUSSIA AND WHO PROTESTED AFGANISTAN WAR AND WAS EXILED FOR IT IN EX-USSR http://www.xmail.net/technologos/ADS.html AS WAS ANNA POLITKOVSKAYA http://www.xmail.net/technologos/Anna.html
POETICAL CINEMA OF REVOLT AND MYTH BT PASOLINI http://www.xmail.net/technologos/Appp.html and EROTIC CINEMA OF BERTOLUCCI http://www.xmail.net/technologos/ABERTO.html IS TRUE CINEMA VERSE PSEUDODOCDRAMA TRUTH MYTHOLOGY AS BY LENI RIEFENSHAHL http://www.xmail.net/technologos/Aleni.html which art epithomises AESTHETICS OF POWER AND RACE NAZI POLITICS VIOLENCE http://www.xmail.net/technologos/Aleni1.html whose artistic arrogance led to collaboration with Hitler regime http://www.xmail.net/technologos/Aleni2.html and led her to tragicomic denial of her role as accomplece of evil reich.
IT REMINDS AS MYTHOLOGY OF NEUS AND POLITICS OF POWER DOMINATES OUR TIME OF GLOBAL WAR NEOCONS ARCHITECTS AS WOLFOWITZ AMBITIONS WITH NEOTROTZKY ARROGANCE MENTALITY EXPLORING STRATEGY OF RIGHT TO ERROR EMBODIES NEOCON ARTISTS MINDSETS WHICH CARTER EXPOSES http://www.xmail.net/technologos/AAAA.html WHO ARCHITECTED MIDDLE EAST GLOBAL DEMOCRACY WAR A LA LEON TROTZKY ARCHITECTING POTEMKIN VILLAGES OF WORLD DEMOCRACY EMULATING NEOBOLSHEVIC STRATEGIES EXPLOITING DECEIT AS JUSTFICATION IN ACCORDANCE WITH MACKIAVELLI PRINCIPLES OF AUTOCRATIC LEADERS TO RULE BY LIES AND MYTHS OF TRUTHS http://www.xmail.net/technologos/Awarpeace.html LAUNCHED THE DOOMED TO FAILURE IRAQ WAR DUE TO SYSTEMIC COGNITIVE FALLACY AND CONTRADICTS TO AMERICAN CONSTITUTION DEMOCRACY PRINCIPLES AND RULES OF LAW NOT WAR http://www.xmail.net/technologos/Arice.html THEN REESTABLISHED ITS FOOLS CABAL STRATEGIES IN WORLD BANK TO FIGHT GLOBAL CORRUPTION WHILE EXERCISING NEPOTISM AS SEX FAVOURITISM MIGHT NOT ESCAPE AS GREAT HOODINY THE DOWNFALL RESIGNATION AS TECHNOLOGOS COMMENTED RECENTLY http://www.xmail.net/technologos/AAA.html
